China faced a severe shortage of small denomination coins at the end of the Qing Dynasty.  To help alleviate the shortage, the Guangdong mint in the year 1900 began to produce a new style coin that was radically different from the hand-cast bronze “cash” coins with the square hole that had been used for more than 2,000 years.

The new coins were made of copper and did not have a hole in the center.  Moreover, these coins were produced by machines.

The Chinese referred to the new coins as tong yuan (铜元) or tong ban (铜板) and they were minted in denominations of 1 Cash, 2 Cash, 5 Cash, 10 Cash, 20 Cash and 30 Cash.

The new style coins were immediately well-received by both the Chinese people and the merchants because they were uniformly well-made, of standard size and weight, and convenient to carry.

Because of the warm reception, more and more of the coins were minted.  The coins were also profitable to make.

The mints in the other Chinese provinces quickly noticed the trend and within a short period of time there were 20 coin bureaus operating in 17 of China’s provinces producing the new copper coins.  The tong yuan coins quickly replaced the traditional “cash” coins to become the major form of small denomination coins in circulation.

But anytime a new form of currency is introduced, counterfeit versions soon begin to appear.  The 10 Cash (十文) coin in particular was a prime target for counterfeiters.

The first “counterfeiters” were actually the official mints themselves.  The mints were given quotas to fill but because the coins reaped a good profit, the mints began to “privately” (局私) produce the coins in quantities which exceeded their official quotas.

Also, as has always been the case throughout China’s long history, individual Chinese began to illegally produce coins.

And as we shall see, foreigners became involved in counterfeiting the new coins as well.

Certain 10 Cash coins can be immediately identified as counterfeit because they tend to be poorly struck and especially because they show traces of inscriptions and symbols not found on the officially minted coins.

Chinese "10 Cash" coin overstruck on Korean "5 Fun" coin

Chinese "10 Cash" coin overstruck on Korean "5 Fun" coin

An example of such a coin is shown at the left.

Upon close examination, it is obvious to Chinese coin collectors that the counterfeiters used a Korean “5 Fun” (五分) denomination coin as the blank to mint this Chinese “10 Cash” coin.  The Chinese refer to these overstruck coins as han gai ban (韩改版).

Chinese numismatists have traditionally assumed it was certain Chinese mints that had used the Korean coins as planchets to make the 10 Cash coins.  According to the theory, the Korean coins were used as planchets during the testing of the new coin presses.

A recent article by Ye Zhenming (叶真铭) in the Chinese periodical qianbi (钱币), however, provides a different explanation.

According the Mr. Ye, the overstruck coins were the result of collusion between Japanese “Ronins” (“wave men” 浪人) and some “unscrupulous” Korean merchants.  A Ronin was a Japanese samurai who did not have a master and was therefore considered an outsider to society.  Since it was difficult for Ronins to find legal employment, they sometimes turned to criminal activities.

The new coinage of China provided a lucrative opportunity for some of the Ronins.

These Ronins discovered that the Chinese mints were importing copper billet from Japan to make the new coins.  The mints found that importing the copper billet was convenient and the price still allowed for a good profit margin.

The Ronins were able to obtain their own supply of Japanese copper billet.  They had engravers forge coin dies based on the official mint dies and, using hand operated presses, began to counterfeit the new copper coins.

It was not long, however, before these Ronins discovered an even cheaper supply of copper blanks for the coins.

The Koreans began minting modern copper coins in 1892, eight years before the Chinese.  These denomination “5 Fun” Korean coins were similar in size and weight to the new Chinese 10 Cash coins.

The Ronins realized that using the Korean coins as planchets for Chinese 10 cash coins could be very profitable.

This was due to the relative values of silver and copper.  At the time, one Chinese silver dollar could buy more than 200 of the Korean copper coins.

But by overstriking the Korean coins to create Chinese 10 cash coins, the counterfeiters could then exchange ten of the coins for one silver dollar.  The profit margin was thus very high.

The Ronins were able to partner with some unscrupulous Korean businessmen to obtain their supplies of Korean 5 Fun coins.

Reverse side of overstruck "10 Cash" coin

Reverse side of overstruck "10 Cash" coin

However, because the pressure from the hand-operated presses used by the counterfeiters was not sufficient to totally obliterate the inscription and symbols on the Korean 5 Fun coin, the counterfeit Chinese 10 Cash coins usually exhibit a combination of both the Chinese and Korean designs.

For example, at the left is the reverse side of an overstruck counterfeit coin.  In the middle can be seen the dragon design found on Chinese 10 Cash coins.

You will also notice that there are traces of a wreath surrounding the dragon.  The wreath is the remnant of the design from the Korean 5 Fun coin that served as the planchet to make the counterfeit coin.

Reverse side of Korean 5 Fun coin

Reverse side of Korean 5 Fun coin

The wreath can be clearly seen on the reverse side of the Korean 5 Fun coin shown at the left.

If you closely examine the obverse side of the coin (shown above), you will also notice that traces of the original Korean coin inscription are still present.

These counterfeit copper coins were mainly put into circulation in China’s coastal regions where they easily mixed in with the officially minted Chinese coins.

Most of the counterfeit dies used to make these coins state “made in Zhejiang Province” or “made in Shandong Province”.  In reality, the coins could have been made anywhere but coins with inscriptions stating they were “made” in other provinces are fewer in number.

The true origin of these overstruck coins has puzzled Chinese numismatists for years.  The traditional explanation has been that they were created during testing of the new presses by the Chinese mints.

This new explanation is consistent with the economic situation that existed at the time.  It also introduces a degree of foreign intrigue with the involvement of Japanese samurai and Korean businessmen.

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Liao Dynasty “Mother of Nine Sons” Charm

by Gary Ashkenazy on March 30, 2012

A nomadic people known as the Khitan (Qidan 契丹) ruled China as the Liao Dynasty (辽朝) during the period 916-1125 AD.

Charms from the Liao Dynasty are fairly rare and those with inscriptions can be difficult to decipher because the Qidan script is not well understood.

Liao Dynasty charms lacking inscriptions are also a challenge to understand because the Qidan and the Chinese may have interpreted symbols differently.

Liao Dynasty "Mother of Nine Sons" Charm

Liao Dynasty "Mother of Nine Sons" Charm

One of the best known of the Liao Dynasty charms is generally referred to by the Chinese as a “Mother of Nine Sons” (yi mu jiu zi 一母九子) charm.  This charm has no inscription and relies solely on symbols to convey its meaning.  Both bronze and iron versions of the charm exist.

A very well-cast specimen of the charm is displayed at the left.

Chinese charm collectors have traditionally interpreted the figure above the square hole as being a mother riding a dragon.

The charm also displays three groups of three people.  They are believed to represent her nine children.

The reverse side of the charm has the twelve animals of the Chinese Zodiac (十二生肖).

Some collectors believe that the “mother” is Xi Wangmu (西王母), the “Queen Mother of the West“.

Others interpret the charm differently.

For example, an article published in the 2002.1 issue of the journal of the Inner Mongolia Numismatic Society (内蒙古金融研究) proposes that the charm’s theme is “nine sons become officials” (jiu zi sheng guan 九子升官).

Another interpretation is found in a Chinese reference book on Liao, Xixia, Jin and Yuan Dynasty charms (辽西夏金元四朝货币图录精选) which argues that the person riding the dragon is not a mother but rather a son-in-law of a high rank.

This interpretation is based on a Chinese idiom which translates as the “dragon-riding son-in-law” (乘龙快婿).  According to a legend dating to the Spring and Autumn Period (771-476 BC), Princess Nongyu (弄玉), who was the daughter of Duke Mu of Qin (秦穆公), was so fond of playing the flute that she was only willing to marry a man with an equal love for the instrument.  She eventually found such a man and their flute-playing prowess resulted in the two of them flying to the heavens with him riding a dragon and her riding a phoenix.

Based on this legend, every traditional Chinese family with a daughter wished for a son-in-law who would be talented enough to pass the imperial exams which would guarantee a life of honor and wealth as a high government official.  This is the meaning of a “dragon-riding son-in-law”.

Those that accept this as the theme of the charm then interpret the three groups of three people as representing success at the three levels of the imperial examination system.

A completely different interpretation of the charm is proposed by Mr. Pei Yuan Bo (裴元博) in an article published in the 2004.3 issue of “Inner Mongolia Financial Research” (内蒙古金融研究).

Mr. Pei argues that to understand the true meaning of the charm one must first be familiar with a mythical story concerning Huangdi (黄帝), the “Yellow Emperor“, who returned to the Heavens by riding a dragon.

Mr. Pei explains that Huangdi (2696-2598 BC) was the son of the “Celestial Ruler Supreme God” (Tiandi 天帝).  The father decided to send his son to Earth to be a tribal leader “to temper him through hardships and tribulations”.

While on the Earth, Huangdi battled the Yan Emperor (Yandi 炎帝).  He invented clothing, carts and boats.  Chinese characters were invented during his reign.  He did much to improve the lives of the common people.  He gained the support of the various tribes and became the chief of the tribal union.

Tiandi was so satisfied with his son’s achievements that he sent a dragon to bring Huangdi back to the Heavenly Palace to succeed him on the throne as the central deity.

Mr. Pei interprets the three groups of three persons as representing the “Nine Provinces” (jiuzhou 九州), a poetic name for China, celebrating Huangdi’s ascension as the king of the heavens.

With this as a background, Mr. Pei proposes why this Liao Dynasty charm was created.

When the Liao Dynasty was established in 907 AD, Emperor Taizu (yelu a bao ji 耶律啊保機; Great Khan Abaoji 907-926 AD) was regarded by the Khitan people as the son of Tiandi, the “Celestial Ruler Supreme God”.  Emperor Taizu’s ascension to the throne was thus seen to be the same as when Huangdi ascended to the heavens to become the central deity several millenia earlier.

The three groups of three persons each represent the “Nine Provinces” celebrating Emperor Taizu’s ascension.

In the group to the left of the square hole, one person is playing the flute while another is beating a drum.  The group to the right of the hole appears to be dancing and gazing at the sky.  One member of the group below the hole seems to be pointing upwards while speaking to the others.

The overall scene evokes a feeling of joy and celebration.

Twelve Animals of the Chinese Zodiac

Twelve Animals of the Chinese Zodiac

As mentioned earlier, the reverse side of the charm displays the 12 animals of the Chinese Zodiac (十二生肖) which, according to Mr. Pei,  is a metaphor for “all the people” since everyone has to be born under the sign of one of the animals.

Moreover, the animals are all revolving around the “center” (the square hole) which represents the “central authority” whom they all must serve.

Mr. Pei summarizes that the charm was created to show Emperor Taizu ascending to the throne by riding a dragon in a manner similar to that of the “Yellow Emperor”.  The people, represented by the nine individuals (“Nine Provinces”), are expressing their joy and acknowledging his authority (Zodiac animals revolving around the center).

Mr. Pei thus concludes that the theme of the charm should be the “prince rides the dragon” (tianzi cheng long 天子乘龙) instead of the “mother of nine sons”.

As a final note, it is not surprising that a Qidan charm might claim some connection to ancient Chinese culture.

Emperor Taizu adopted certain reforms from the Chinese which tended to move Qidan society towards cultural assimilation with the Chinese.  Also, the Liao Dynasty was founded just as the great Tang Dynasty was collapsing and it was quite common for non-Chinese rulers to claim ancestry to the Yellow Emperor to enhance their prestige and status.

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How Chinese Archaeologists Clean Coins

by Gary Ashkenazy on February 27, 2012

Chinese archaeologists frequently unearth ancient coins at tomb sites.  While old Chinese coins do not have actual dates on them, they do have inscriptions which can help date the site being excavated.

Having been buried for hundreds or thousands of years, it is quite common for these old bronze coins to be so severely corroded that the inscriptions cannot be read.

Coin collectors are always warned not to clean coins because the process will lessen the value of the coin or even ruin it.

But what do Chinese archaeologists do when they have a coin that is too corroded to identify but which could potentially provide valuable information as to when the tomb was built?

Song Dynasty coins unearthed at ancient tomb

Song Dynasty coins unearthed at ancient tomb

An article discussing a tomb being excavated in the city of Fuzhou (福州) in Fujian Province provides the answer.

More than ten old Chinese cash coins were discovered during the dig but could not be identified because of heavy corrosion.

If you have seen archaeologists at a site then you know they work very slowly and methodically to avoid any damage to the buried cultural relics.

You might expect they would employ a similar degree of care when it comes to cleaning coins.

In this case, however, the archaeologists were less concerned about preserving the coins than just being able to identify them.

The archaeologists simply put the coins in vinegar, which is a mild acid, to soak for two or three days to remove the surface dirt and corrosion.  The coins were then removed and a common toothpick was used to scrap out any corrosion in the Chinese characters.  Finally, a rubbing was made of the coins.

Song Dynasty coin from 1101 AD

Song Dynasty coin from 1101 AD

While the coins would certainly not be very pretty after such treatment, the rubbing did reveal the inscription as sheng song yuan bao (圣宋元宝).

Sheng song yuan bao coins were cast during the reign of Emperor Huizong (徽宗) of the Northern Song Dynasty beginning in the year 1101.

An “uncleaned” sheng song yuan bao coin, which would be similar to the ones found in the tomb, is shown at the left.

The archaeologists were quick to point out that this discovery does not necessarily mean that the tomb dates from the Northern Song because in ancient China coins continued to circulate for many years after they were produced.

The archaeologists speculate that once the tomb is completely excavated it may be determined to actually be from the slightly later Southern Song Dynasty (1127-1279).

We usually picture archaeologists as using soft brushes to gently remove dirt from cultural artifacts but sometimes more aggressive measures are used on ancient coins when they are the key to dating a site.

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Coin Design Discovered on Wall Bricks from Kingdom of Min

by Gary Ashkenazy on February 22, 2012

The ruins of an ancient city wall dating from the Tang Dynasty were recently discovered in Fuzhou (福州), the capital city of China’s southeastern province of Fujian (福建), according to a local newspaper article.

The city wall dates back 1,100 years and is unusual because some of the bricks display the design of an ancient Chinese cash coin.  Cash coins were distinctive because of their round shape with a square hole in the center.

Coin design on wall bricks of Kingdom of Min

Coin design on wall bricks of Kingdom of Min

The coin design can be clearly seen on the bottom brick in the picture at the left.  The coin design is also on the upper brick just to the right of center.

The discovery of the bricks with the coin design allowed archeologists to identify the site as the ruins of a city wall from the time of the Kingdom of Min (909-945 AD).

Construction of the wall began in the year 901 under the direction of Wang Shenzhi (王审知) who was the military commissioner for the area under the Tang Dynasty.

However, the great Tang Dynasty collapsed in 907, and in the year 909 Wang Shenzhi named himself the Prince of Min (閩忠懿王; Emperor Taizu of Min 闽太祖) and the ruler of the Kingdom of Min.

Historical records specifically mention the unusual coin design on the bricks used to build the “Luo city wall” (罗城).

Confirmation that the archaeological find is indeed the famous “Luo wall” of the Kingdom of Min was obtained when other bricks were discovered to have the Chinese characters 威武军 (wei wu jun) which translates as the “Powerful Army”.  Wei Wu Jun was the name of the army Wang Shenzhi commanded.

Ancient city wall from Kingdom of Min

Ancient city wall from Kingdom of Min

The newly unearthed ancient wall can be seen in the image at the left. The wall thus far unearthed measures 74 meters in length and 8 meters in width.

Historical records describe the wall as having been severely damaged in battles during the Song Dynasty (960-1279).

In more recent times, the site was used as a garbage dump and later became the location of a transport station.

Wang Shenzhi is well known to collectors of ancient Chinese coins because he predominately issued coins made of lead or iron.  While lead and iron coins had been cast in earlier dynasties, most coins were made of bronze.

However, the coin design on the wall bricks actually has nothing to do coins!

The Chinese character for “cash coin” (qian 钱) also happens to be a Chinese surname or family name.

The surname of the ruling family of the neighboring kingdom of Wuyue was Qian (钱) which is the very same Chinese character used for “coin”.

In 916, Wang Shenzhi arranged for the marriage of his daughter to Qian Chuanxiang (钱传珦) who was the son of Qian Liu (钱鏐) the King of Wuyue (吴越国).

It was a common practice for rulers to try to marry their offspring to important family members of neighboring states in order to establish strong diplomatic ties.

The image of the coin on the city wall bricks was intended to symbolize the marriage and the newly established ties to the Qian family of the Kingdom of Wuyue.

The Kingdom of Min would only exist for a short time after Wang Shenzhi’s death in 925.

Li Hongxi (李弘羲) became ruler of Fuzhou in 945 but was forced to surrender to the forces of Wuyue.

The King of Wuyue at the time was Qian Hongzuo (钱弘佐; Qian Zuo 钱佐) who was the nephew of Qian Chuanxiang.

The Qian family of Wuyue thus became the new rulers of Fuzhou.  It is said that the citizens of Fuzhou considered the coin design on the bricks of the Luo Wall to have been an omen predicting that the Qian family would one day rule the country.

As mentioned earlier, Wang Shenzhi is known for having been among the first to use lead for the regular production of cash coins.

Large lead coin from Kingdom of Min

Large lead coin from Kingdom of Min

An example of a large lead coin cast during Wang Shenzhi’s reign is displayed at the left.

The inscription on the obverse side is kai yuan tong bao (開元通寶) which is the same as that on the coins of the Tang Dynasty.

The reverse side has the Chinese character min (閩) indicating the Kingdom of Min.

These large coins made of lead or iron from the Kingdom of Min are fairly scarce.  Specimens made of bronze are even rarer.

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Chinese Coin Mirror Discovered in Song Dynasty Tomb

January 5, 2012
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An ancient bronze mirror with a Chinese coin design was recently unearthed from a Song Dynasty (960-1279) tomb according to a report from Qianjiang City (潜江), Hubei Province. The Qianjiang Cultural Relics Bureau (潜江文物局) announced that the mirror, which has some damage, was among the precious items found in a tomb located in Longwan Zhen [...]

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“Four Happinesses” Window

December 5, 2011
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A 200-year-old carved wooden window, described as a rare and exquisite treasure, was recently discovered in a small village flea market in China’s southwest Yunnan Province, according to an article in the Kunming Daily (昆明日报). Mr. Yang Anning (杨安宁), a well-known expert in ancient Chinese architecture, described the well-preserved window as a “cultural heritage gem” [...]

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Chinese Treasure Bowl Charm

December 1, 2011
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Since ancient times, there have been stories of a magical “treasure bowl” (ju bao pen 聚宝盆) that can create unlimited riches, and sometimes great sorrow, for its owner. While the actual treasure bowl remains to be found, its image has became a popular symbol of good fortune. At the left is an old Chinese “hanging” [...]

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The Huainanzi and Vietnamese Coins

November 29, 2011
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The huainanzi (淮南子), variously translated as “The Masters of Huainan”, “The Huainan Philosophers” and “The Book of the Master of Huainan”, is an ancient Chinese philosophical work on the proper way for a monarch to govern. The huainanzi also records some of China’s most ancient myths and stories including “Nu Wa Repairs the Sky” (nu [...]

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Ancient Chinese Mirrors Donated To Shanghai Museum

November 14, 2011
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An outstanding private collection of ancient Chinese bronze mirrors owned by Lloyd Cotsen is being donated to the Shanghai Museum according to press releases issued in China and by The Huntington in San Marino, California. Lloyd Cotsen, a successful American entrepreneur and noted philanthropist, began collecting ancient Chinese mirrors in the 1950′s after being exposed [...]

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Ancient Coins Discovered in Golden Horse River

November 12, 2011
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More than 100 local villagers were seen busily overturning rocks in a small flood plain area of Sichuan Province’s “Golden Horse River” (金马河) once word spread that a large number of ancient Chinese coins had been discovered, according to a report by the Sichuan News Network (四川新闻网). Villagers of the Wenjiang District (温江区) of Chengdu [...]

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China’s Biggest Ancient Coin

November 3, 2011
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The official New China News Agency (新华社) revealed in 1997 that Chinese archaeologists working in the southwestern province of Yunnan had unearthed a huge Ming Dynasty coin which was described as the largest and heaviest ancient Chinese coin ever found. The coin was cast during the reign of Emperor Shi Zong (1522-1567) to commemorate the [...]

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Coffin Contains Coin Instead of Corpse

November 2, 2011
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An article in the Suqian Evening News (宿迁晚报) reported an unusual discovery.  Chinese archaeologists excavating a multiple tomb site in Suqian (宿迁), a city in northern Jiangsu Province (江苏), unearthed a coffin with no corpse.  The only thing inside the casket was a coin. Most of the tombs being excavated at the site date from [...]

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