Category: Chinese coins

  • Chinese Burial Money

    Beginning in very ancient times, the Chinese included money among the objects buried with the deceased.

    This burial money was referred to as yi qian (瘗钱), meaning “buried money”, or ming qian (冥钱), meaning “dark money”.

    The money was to be used by the deceased in the afterlife to make life more comfortable.  It was also offered as a “bribe” to Yan Wang (阎王 or yanluowang 阎罗王), the judge of the underworld, to encourage him to act quickly and favorably in regard to the spirit.

    Ancient China had a number of interesting forms of money.

    Cowrie shells (贝币) were one of the first forms of money that circulated extensively.

    Graves evacuated from the Shang Dynasty (商朝 c. 1600 BC – 1046 BC) sometimes include thousands of cowrie shells.  As an example, the Tomb of Fu Hao  (妇好墓), dating from about 1200 BC, was found to contain 6,900 cowry shells.

    Because the quantity of natural cowries were limited and could not meet the demand, bronze versions of the cowrie shell were cast and circulated as money.

    During the Warring States period (战国时代 475 BC – 221 BC), other metal forms of money appeared.  These early “coins” took on various shapes and included spade (bubi 布币), knife (daobi 刀币), ring-shaped coin (huan qian 环钱), ant nose (yibiqian 蚁鼻钱) and banliang (“half-tael” 半两).

    These forms of money were also buried as funerary objects.

    Unfortunately, the custom of burying money in tombs attracted the attention of grave robbers who throughout the ages have dug up graves in order to steal buried money and other valuable artifacts.

    Having the grave of a relative desecrated in such a manner was extremely unsettling to the living relatives.  The spirit of the deceased was disturbed and the money meant to ensure his comfort in the afterlife was gone.

    To minimize the chances that a tomb would be disturbed, a change took place involving burial money.  Instead of real money, imitation money was sometimes used.

    This imitation money resembled real money but instead of being made of bronze, silver or gold, it was made of hardened clay.

    These imitation coins are known as “clay money” (ni qian 泥钱) or “earthenware money” (tao tu bi 陶土币).

    According to “Han Material Culture” by Sophia-Karin Psarras, any representation of currency was acceptable as legal tender in the afterlife.  Therefore, surrogate forms of money made of clay could be used in lieu of real bronze, silver or gold money.

    Since clay money had no value in the world of the living, it was believed that grave robbers would leave the deceased to rest in peace.

    The use of surrogate currency was used by both the rich and poor alike since even families of modest means could afford to buy the imitation coins to bury with their relatives.

    Clay cowrie shell money (泥贝币)
    Clay cowrie shell money (泥贝币)

    The wealthy who buried real money in tombs would often also include coins made of clay.

    At the left can be seen cowries made of clay that were produced specifically to be buried in graves.

    These particular specimens are unusually well-made.

    Clay banliang (泥半两) coins excavated from a Han Dynasty tomb at Mawangdui
    Clay banliang (泥半两) coins excavated from a Han Dynasty tomb at Mawangdui

    The primary form of money that circulated during the Qin Dynasty (秦朝 221 BC – 206 BC), as well as the early Western Han Dynasty (西汉 206 BC – 24 AD), was the banliang (半两) coin made of bronze.

    At the left are several clay banliang coins (泥半两) that were excavated from Tomb No.1 at Mawangdui and are seen here at an exhibit held at the Tianjin Museum.

    Mawangdui (马王堆) is a major archaeological site located at Changsha (长沙), Hunan Province that includes three Western Han Dynasty tombs.

    Tomb No. 1 is the resting place of Lady Dai (Xin Zhui 辛追).

    Lady Dai’s tomb was one of China’s most important archaeological discoveries.  As an example, more than 100,000 clay banliang coins were recovered from her tomb.

    Clay wuzhu coins (泥五铢) unearthed from a Han Dynasty grave
    Clay wuzhu coins (泥五铢) unearthed from a Han Dynasty grave

    Beginning in 118 BC of the Western Han Dynasty (西汉) and continuing for more than 700 years, the major form of currency was the bronze wuzhu (五铢) coin.

    These coins are commonly referred to as “cash coins”.

    Clay versions of wuzhu coins (泥五铢) also exist and are frequently found in Han Dynasty graves.

    As an example, a Han Dynasty tomb located near Shanghai’s fu quan shan (福泉山) contained several hundred clay wuzhu coins.

    Examples of clay wuzhu coins can be seen in the image above.

    The wuzhu coin, which is round with a square hole in the center, had a special significance in reference to the afterlife.

    For the deceased ascending to the heavens, the wuzhu coin served as a cosmic map of the universe reflecting the Chinese view that the earth is square and the heavens are round.

    In addition, the “zhu” in wuzhu can refer to the trunk of the 300 li tall fusang (扶桑) tree which is an auspicious symbol that guides the dead on the journey to the heavens and immortality, according to Susan Erickson in her article “Money Trees of the Eastern Han Dynasty”.

    (For more information about money trees discovered in Han Dynasty tombs please see “Chinese Money Trees“.)

    The wuzhu coins played a more down-to-earth role as well.  The Chinese view of the afterlife gradually evolved so that the spirit world was seen to be similar to the earthly world.  The money in the tombs could therefore be used by the deceased to pay taxes to the otherworldly government.

    Clay "daquan wushi" (泥大泉五十) coin
    Clay “daquan wushi” (泥大泉五十) coin

    Clay versions of coins from later dynasties have also been unearthed in tombs.

    For example, a Han Dynasty tomb in Henan (南阳英庄) contained more than 20 specimens of the Xin Dynasty (9 – 23) da quan wu shi (大泉五十) coin.

    At the left is an example of a clay da quan wu shi coin.

    Clay "kaiyuan tongbao" (泥开元通宝) coin
    Clay “kaiyuan tongbao” (泥开元通宝) coin

    Also, clay versions of the Tang Dynasty (618-907)  kai yuan tong bao (开元通宝) coin have been unearthed in Tang and Song Dynasty tombs.

    A clay specimen of a kai yuan tong bao (泥开元通宝) coin is shown at the left.

    As an aside, during the Tang Dynasty there was an autonomous region in what is now Hebei that was under the control of a warlord named Liu Rengong (刘仁恭).  He minted clay coins and iron coins, and then forced the people to trade in their bronze coins for these coins.   This is a rare case where clay coins were officially minted for circulation and not for funeral use.  Unfortunately, no specimens of these clay coins are known to exist.

    Clay burial coins which imitate Song and Jin dynasty coins discovered in a tomb in Shanxi Province.
    Clay burial coins which imitate Song and Jin dynasty coins discovered in a tomb in Shanxi Province.

    At the left are examples of clay coins discovered in a tomb located in Shanxi.  The tomb dates to the time of the Song (宋朝 960-1279) and Jin (金朝 1115-1234) dynasties.

    The coin at the far right, for example, is a clay version of the chong ni zhong bao (崇宁重宝) coin written in Li script (“clerical script” 隶书) and minted during the years 1102-1106 of the reign of Emperor Huizong of the Northern Song Dynasty.

    Clay burial coins from the Liao Dynasty
    Clay burial coins from the Liao Dynasty

    Shown at the left are rare examples of clay coins unearthed from Liao Dynasty ruins.

    These clay coins have different inscriptions.

    The inscription on the clay coin at the top left, for example, is tian chao wan shun (天朝万顺).  Authentic Liao coins with the inscription tian chao wan shun are extremely rare and even clay burial versions are not often seen.

    Liao and Jin dynasty clay coins recovered from a Liao dynasty pagoda
    Liao and Jin dynasty clay coins recovered from a Liao dynasty pagoda

    Clay burial coins with inscriptions of other very rare Liao coins were also discovered in the foundation of a Liao Dynasty pagoda.

    Examples of these coins can be seen at the left.

    The clay Liao coins included bao ning tong bao (保宁通宝), seen at the top left, and da kang tong bao (大康通宝) , seen at the bottom left.

    Also discovered were a clay version of the da ding tong bao (大定通宝) coin from the Jin Dynasty which is shown at the top right.

    Clay burial coin from the Qing Dynasty
    Clay burial coin from the Qing Dynasty

    Clay coins for burial use were being “minted” even as late as the Qing Dynasty (1644-1911).

    At the left is a clay version of a qian long tong bao (乾隆通宝) coin.

    Coins with this inscription were cast during the years 1736-1795 of the reign of the Qianlong Emperor.

    In addition to “low currency” (下币) money consisting of bronze coins such as the banliang and wuzhu coins that commonly circulated during the Qin and Han dynasties, there was also  a “high currency” (上币) form of money that made its appearance during the Warring States period.

    This money was made of gold and was used as currency as well as for sacrificial offerings, rewards, fines, etc.

    Kings, nobility and the wealthy were frequently buried with this type of gold money in their tombs.

    Gold plate money (ying yuan 爰金) from the State of Chu
    Gold plate money (ying yuan 爰金) from the State of Chu

    An example of the gold money that circulated in the State of Chu during the Warring States period may be seen at the left.

    This money is known as yuan jin (爰金) and consists of small square gold cubes connected together in a form best described as a slab, plate or sheet.  Individual squares could be broken off and spent as needed.

    The yuan (爰) was a unit of weight and jin (金) means “gold”.

    Each of the gold squares was also inscribed with Chinese characters.  For this reason, these “coins” are also known as yin zi jin (印子金), jin ban (金钣) or gui bi (龟币).  They are sometimes referred to in English as “ying yuan”, “gold plates”, “seal gold”, or “gold cube money”.

    Some have the characters ying yuan (郢爰).  Ying (郢), which was situated in what is now Jingzhou (荆州) County in Hubei Province, was the capital of the State of Chu.

    The other inscription found on these gold coins is chen yuan (陈爰).  After the Qin army captured the capital city of Ying, the State of Chu moved their capital to Chen which was located in what is now Huaiyang (淮阳), Henan Province.

    Clay versions of State of Chu gold plate money (泥"郢称"(楚国黄金货币)) found buried in tombs of the Warring States Period
    Clay versions of State of Chu gold plate money (泥”郢称”(楚国黄金货币)) found buried in tombs of the Warring States Period

    At the left are clay specimens of the State of Chu’s yuan jin gold money (泥”郢称”(楚国黄金货币)) that have been recovered from tombs.

    These particular specimens were unearthed in Zhejiang Province which was part of the ancient State of Chu during the Warring States period.

    More than 300 pieces of this clay replica gold currency were also recovered from Lady Dai’s tomb at Mawangdui.

    As can be seen, the imitation money has the same overall shape as the real gold money but is made of clay.

    Careful observation shows that the surface design on these imitation sheets of gold money resembles square pieces of cloth or fabric.

    This design could not be adequately explained prior to the discovery of Lady Dai’s tomb.

    Silk funerary money (丝织品做的冥币) recovered from Tomb No. 1 (Lady Dai) at Mawangdui
    Silk funerary money (丝织品做的冥币) recovered from Tomb No. 1 (Lady Dai) at Mawangdui

    Silk was a valuable commodity in ancient times and bolts of silk could also function as a form of currency.  Small “denominations” of this “money” were created by cutting the silk into small squares.

    Several of these small square silk “coins” (丝织品做的冥币) were recovered from Lady Dai’s tomb at Mawangdui.  This was the first time such silk squares functioning as a form of burial money had been discovered.

    Shown above are several examples of this silk funerary money recovered from the tomb of Lady Dai that are now on display at the Hunan Provincial Museum.

    It is believed that the State of Chu’s distinctive sheet form of gold money with the connected small squares may have been based on this very early type of silk money.

    This would also explain why the clay imitation version of the gold money has a surface design that resembles fabric.

    Various forms of burial money recovered from Tomb No. 1 (Lady Dai) at Mawangdui
    Various forms of burial money recovered from Tomb No. 1 (Lady Dai) at Mawangdui

    Lady Dai’s tomb actually contained a rich assortment of burial money.

    Shown at the left is an exhibit case from the museum containing a variety of the imitation money from her tomb.

    At the top left is a string of clay banliang coins.

    At the lower left is the display of silk funerary money just discussed.

    The lower middle of the display case has clay replicas of the State of Chu gold money.

    At the lower right are clay imitation “gold pies” which will now be discussed.

    Gold pie (jin bing 金饼) money unearthed from a Han Dynasty tomb
    Gold pie money (jin bing 金饼) unearthed from a Han Dynasty tomb

    During the Western Han Dynasty, a surprisingly large quantity of gold was in circulation with the estimate being more than one million jin (斤) equivalent to more than 248 tons.

    One type of gold currency was about the size of a “cookie” and had the shape of a flattened half-sphere with the top convex and the bottom concave.

    This form of gold money is variously referred to as a gold pie, gold cake, gold biscuit, gold bing ingot, gold button ingot, etc.

    In Chinese it is known as jin bing (金饼).

    According to this article, a gold pie has a high gold content of 97-99% and weighs about 248 grams (210 ~ 250 g.) which would be the equivalent of about 1 jin (斤) during the Han Dynasty.

    The specimens shown above are on display at the Shaanxi History Museum in Xian.  These gold pieces date from the Western Han Dynasty (206 BC – 8 AD) and were excavated from a tomb in Xian.

    Han Dynasty gold pie coin displaying Chinese character
    Han Dynasty gold pie coin displaying Chinese character

    As can be seen in the image here, gold pie coins sometimes have a Chinese character engraved on the bottom (right image).

    Some of the characters can be identified such as , , 长, , 吉, 马, 租, 千, 金, , and “V“.  Other characters will require further research.

    Clay "gold pie" money (陶质"金饼") unearthed from Han Dynasty graves
    Clay “gold pie” money (陶质”金饼”) unearthed from Han Dynasty graves

    Imitation specimens of these pie-shaped gold disks made of clay or earthenware (陶质”金饼”) are also being found in tombs dating to the Han Dynasty.

    These cake-shaped funeral objects (mingqi 冥器) have not always been recognized in the West for what they really are.

    For example, they have sometimes been mistakenly referred to as a “glazed plate of food”.

    And just like the authentic gold pie money, some of the imitation clay cakes have inscriptions on the bottom.

    Clay gold pie coin with inscription "fields of bountiful harvest"
    Clay gold pie coin with inscription “fields of bountiful harvest”

    As can be seen in the image at the left, this clay imitation gold pie has the Chinese characters feng nian tian (丰年田) inscribed on the bottom.

    Feng nian (丰年) translates as a “good year” and tian (田) means a field or farm land.

    The expression refers to a good year’s harvest and thus the value of this imitation gold “coin” is equal to a good year’s harvest from a plot of land.

    Clay "gold pie" coin with denomination equivalent to 1,000,000 bronze coins
    Clay “gold pie” coin with denomination equivalent to 1,000,000 bronze coins

    There is no doubt as to the value of  the clay specimen displayed at the left.

    The inscription on the bottom reads zhi qian bai wan (直钱百万).

    This translates as “worth one million cash coins”!

    (Despite what the inscription says, a real gold pie was worth the equivalent of about 10,000 cash coins during the Han Dynasty.)

    Nowadays, Chinese burial customs have changed somewhat.  Real and imitation money is no longer buried with the dead.  Instead, paper money known as joss paper (“gold paper” 金纸, 阴司纸), Hell money, Hell banknotes, and ghost money is burned instead.

    While the custom has evolved, the basic concern for the financial well-being of the deceased remains the same.

    Hell bank notes burned at funerals today have hyperinflated denominations of $10,000 to $5,000,000,000 or more.

    While such large bank note denominations may appear excessive to us today, we have already seen that 2000 years ago there existed “clay” gold cake money valued at 1,000,000 cash coins.

    Printed paper money involves two of the Four Great Inventions attributed to the Chinese, namely the inventions of papermaking and printing.

    Cai Lun (蔡伦 50 – 121 AD), an official of the imperial court during the Han Dynasty, is recognized as the inventor of paper.

    The Chinese were the first to use paper money which began during the Tang Dynasty (618 – 907 AD) but was not widely used until the beginning of the Song Dynasty (960 – 1279).

    Historians can only speculate as to what that first paper money from the Tang Dynasty, known as “flying cash” or “flying money” (飞钱), may have looked like since no verified specimens are known to exist.

    But, even as early as the Jin Dynasty (晋朝 265-420), joss was being made of gold foil.

    And, it is possible that the first paper money may have been printed on yellow paper in order to give the appearance of the ancient gold sheet money dating back to the State of Chu.

    There exist specimens of paper money which some collectors claim to be authentic “flying money” notes from the Tang Dynasty that are “printed on yellow paper using black ink”.

    The current practice of burning joss and hell bank notes to provide money for the afterlife can be seen as the latest stage in the evolution of a custom that began in very ancient times with the burying of real and imitation money.

  • Horse in Armour Horse Coins

    Horse coins (ma qian 马钱) originated in China during the Song Dynasty (宋朝 960 – 1279).  They were not used as money, however, but as game pieces.

    Illustration of horse armour from the Song Dynasty
    Illustration of horse armour from the Song Dynasty

    There are a great variety of horse coins.  Some display only a horse while others show both a horse and rider.

    Some horse coins have inscriptions which identify the horse or rider.

    The horses were famous for their speed and endurance.

    Some are referred to as a “thousand-li horse” (qian li ma 千里马) which means the horse could travel 1,000 li (里), or about 400 km, in a single day.

    Even though the Chinese began using armour for their war horses as early as the end of the Han Dynasty (汉朝 206 BC – 220 AD), very few horse coins depict a horse wearing armour.

    Horse coin displaying horse armour used by the Chinese during the Song Dynasty
    Horse coin displaying horse armour used by the Chinese during the Song Dynasty

    At the left is a rare example of a horse coin with the horse wearing the type of armour (铠甲马) used by the Chinese during the Song Dynasty.

    The horse is shown in a full gallop.

    Another distinctive feature of this Song Dynasty horse coin is that it shows the saddle.  Very few horse coins display the saddle due to the placement of the square hole in the middle.

    "Dragon's Colt" horse coin from the Song Dynasty
    “Dragon’s Colt” horse coin from the Song Dynasty

    The obverse side of this horse coin is particularly attractive because the inscription is written in seal script (zhuan shu 篆书).

    The inscription reads long ju zhi ma (龙驹之马) which translates as “Dragon’s Colt”.

    Dragon’s Colt was one of the famous horses owned by Emperor Wen (202 – 172 BC) of the Han Dynasty.

    Horse coin depicting horse armour used by the Mongols during the Yuan Dynasty
    Horse coin depicting horse armour used by the Mongols during the Yuan Dynasty

    At the left is a very rare horse coin that recently appeared in a Chinese coin forum.

    The horse coin is identified as being from the Yuan Dynasty (元朝 1271 – 1368).  The Yuan Dynasty followed the Song Dynasty.

    The Yuan Dynasty was ruled by the Mongols and was founded by Kublai Khan (元世祖).

    The Mongols rode horses wearing battle armour during military campaigns which helped them to create the largest contiguous land empire in history.  The Mongol Empire (1206 – 1368), under the leadership of Genghis Khan (成吉思汗), stretched from central Europe to China.

    This horse coin displays a horse in full gallop wearing the armour typically used by the Mongols.

    Unlike the Song Dynasty horse coin shown above, this coin’s hole is round instead of square.  The hole, unfortunately, prevents us from viewing the saddle.

    As best as can be determined, this Yuan Dynasty horse coin does not appear in any Chinese numismatic reference book.

    Reverse side of armored horse coin from the Yuan Dynasty
    Reverse side of armoured horse coin from the Yuan Dynasty

    The reverse side of the horse coin is shown at the left.  It is flat with no inscription.

    This is in contrast to Song Dynasty horse coins which almost always have an inscription or design on the reverse side.

    As already mentioned, these two horse coins are most unusual.

    Very few Song Dynasty horse coins display a horse wearing battle armour and it is rare to find any horse coin from that period which also shows the saddle.

    Horse coins dating from the Yuan Dynasty, particularly ones displaying horse armour, are even rarer and have yet to be properly researched.

  • ‘Kai Yuan Tong Bao’ Clay Mould

    The world’s only known specimen of a Tang Dynasty clay mould used to cast kai yuan tong bao (开元通宝) coins is now on public display according to Chinese news reports dated January 6, 2015.

    'Kai yuan tong bao' clay mould
    ‘Kai yuan tong bao’ clay mould

    This very rare clay mould (钱陶范), which is classified as a “national treasure” (国宝级), was unearthed in Shutang on August 17, 1992 by Mr. Ceng Jingyi (曾敬仪), a retired teacher and coin collector.

    Shutang is located in the Wangcheng District (望城区) which is about 20 km from Changsha (长沙) in Hunan Province (湖南).

    The clay mould is on display at the “Exhibition of Chinese Ancient Coins” (中国历代钱币展) being held at the Ouyang Xun Cultural Park (欧阳询文化园) located in Shutang (书堂).

    Rare 'kai yuan tong bao' clay mould on display at the ancient coin exhibition
    Rare ‘kai yuan tong bao’ clay mould on display at the ancient coin exhibition

    Kai yuan tong bao coins were cast beginning in the year 621 during the reign of Emperor Gaozu (高祖) of the Tang Dynasty (618-907).

    The kai yuan tong bao, which translates as the “Inaugural Currency”, marked a watershed in Chinese history.

    Up until this time, Chinese coins had been named after their weight.  Beginning with the casting of the kai yuan tong bao, coins were now designated as tong bao (“circulating currency” 通宝) or zhong bao (“heavy currency” 重宝).

    This new coin replaced the wu zhu (五铢) coins which had been produced for more than 700 years.

    Ouyang Xun (557-641) was born in Shutang and is recognized as one of the most famous calligraphers of the Tang Dynasty.

    Detail from stone rubbing of "Jiucheng Palace Sweet Wine Spring Inscription" by Ouyang Xun
    Detail from stone rubbing of “Jiucheng Palace Sweet Wine Spring Inscription” by Ouyang Xun

    Ouyang Xun was selected by Emperor Gaozu to write the inscription for the kai yuan tong bao coin.

    The inscription is written in a combination of Han Dynasty lishu (“Clerical” 隶书) and bafen (八分) scripts.

    This was also the first time in history that a famous calligrapher wrote the characters for a Chinese coin.

    Ouyang Xun is considered the finest calligrapher of the Tang of a style known as “regular script” (kai shu 楷书), also referred to as “standard script”.

    His calligraphy was immortalized on a stone stele located at Emperor Taizong‘s palace on Tiantai Mountain (天台山).

    The work is known as the “Jiucheng Palace Sweet Wine Spring Inscription” (九成宫醴泉铭) and is considered the model for “regular script” even today.

    Large sculptures of 'Kai Yuan Tong Bao' coins at entrance to the exhibition
    Large sculptures of ‘Kai Yuan Tong Bao’ coins at entrance to the exhibition

    In addition to the rare clay mould, the exhibition also includes more that 1,000 ancient Chinese coins donated by Mr. Ceng.

    The opening of the Chinese coin exhibition featuring the clay mould also received television coverage.  Please click here to view one of the television broadcasts covering the event.

    In the 2-minute video, Mr. Ceng Jingyi is interviewed (0:49 mark) and the kai yuan tong bao clay mould is shown (1:28 mark).

    Up until the unearthing of this clay mould, no moulds were known to exist for the casting of the Tang Dynasty kai yuan tong bao coins.

    For this reason, it was unclear as to what process was actually used to cast these coins.  While the coins could have been cast in the traditional manner from moulds made of clay, stone or bronze, it was believed that the coins were now being cast in sand using “mother” coins to make the impressions.

    With the discovery of this clay mould, however, it is now confirmed that clay moulds were still being used to cast coins during the Tang Dynasty.

  • Qi Xiang Tong Bao Engraved Mother Coin

    A very rare qi xiang tong bao (祺祥通宝) engraved mother coin (雕母) was recently auctioned in Beijing.

    The Qixiang coins were cast for the shortest period of time and in the smallest quantity of any reign of the Qing Dynasty.

    Upon the death of the Xianfeng Emperor (咸丰帝) in 1861, his young son Zaichun (载淳) became the new emperor of China adopting the regnal name of Qixiang (祺祥).

    The new emperor was only five years old at the time.  His mother, the Empress Dowager Cixi (慈禧太后), arranged a coup (祺祥政变) and became the real power behind the throne.

    After just a couple of months, the Empress Dowager Cixi changed the emperor’s regnal name from Qixiang (祺祥) to Tongzhi (同治).

    Because the reign title Qixiang existed for only 69 days, very few coins with the inscription qi xiang (祺祥) were produced.  It is quite possible that none of the coins ever went into general circulation.

    When preparing to cast coins for a new emperor, a mint would first engrave a coin out of fine brass.  This “engraved mother coin” (diao mu 雕母), also known as an “ancestor coin” (zu qian 祖钱), was then used to make impressions in a sand mold to produce several “mother coins” (mu qian 母钱).  These “mother coins” were then used to make the impressions to cast the coins which would go into circulation.

    Qi Xiang Tong Bao Engraved Mother Coin
    Qi Xiang Tong Bao Engraved Mother Coin

    The image at the left is the obverse side of the engraved mother coin.

    The coin is made of high quality brass and has a beautiful patina.

    The Chinese characters are finely and deeply inscribed.

    However, the left rim is clearly damaged.

    This was done intentionally at the mint in order to ensure that no additional coins were cast after the regnal name Qixiang was dropped in favor of Tongzhi.

    This damage provides further proof that the coin is authentic.

    Reverse side of Qi Xiang Tong Bao Engraved Mother Coin
    Reverse side of Qi Xiang Tong Bao Engraved Mother Coin

    The reverse side of the coin is seen in the image at the left.

    The Manchu script at the right of the square hole indicates that the coin was made at the Board of Works (宝源) mint in Beijing.

    The mint intentionally damaged the right rim to prevent any further use of this mother coin.

    The coin has a diameter of 29.14~29.52 mm and a thickness of 1.82~2.03 mm.  The weight is not mentioned in the description.

    In addition to the qi xiang tong bao coins, larger “Value Ten” (当十) denomination qi xiang zhong bao (祺祥重宝) coins were also minted.

    A qi xiang zhong bao (祺祥重宝) “engraved mother coin” produced at the Board of Works (宝源) may be seen here.

    A qi xiang zhong bao (祺祥重宝) “mother coin” from the Board of Works (宝源) may be seen here.

    Because qi xiang coins were cast for such a short time, only a few of the mints produced coins.  These included the Board of Works (宝源), the Board of Revenue (宝泉), the Yunnan mint (宝云), the Gansu mint (宝巩) and the Suzhou mint (宝苏).

    When the regnal name changed to Tongzhi, the mints withdrew or destroyed the qi xiang mother coins and then engraved new mother coins to produce coins with the inscription tong zhi tong bao (同治通宝) and tong zhi zhong bao (同治重宝).

    All authentic qi xiang coins are rare, and qi xiang engraved mother coins are extremely rare.

    Only one other specimen is known to exist.  It is in the collection of Mr. Sun Zhonghui (孙仲汇), a famous Chinese numismatist and author.

    On November 30, 2014, the qi xiang tong bao engraved mother coin discussed here was sold at an auction in Beijing for US$129,843 (RMB 808,500).

  • State of Qi Six Character Knife Money

    Xue Knife
    Xue Knife

    Knife-shaped money (daobi 刀币) was an early form of currency that circulated in the states of Qi (齐国), Yan (燕国) and Zhao (赵国) until the end of the  Warring States Period (战国时代 475 BC – 221 BC).

    The shape of these “coins” evolved from an ancient bronze scraper knife, known as a xue (削刀), which had a ring at the end.

    Shown at the left is an example of an ancient xue knife.

    Qi money knives can be categorized by the number of Chinese characters on their obverse side.  There are Three Character Knives (san zi dao 三字刀), Four Character Knives (si zi dao 四字刀, Five Character Knives (wu zi dao 五字刀) and Six Character Knives (liu zi dao 六字刀).

    The Four Character Knives are believed to have been minted in the early Spring and Autumn Period (春秋时代 771 BC – 476 BC) making them the first version of Qi knife money to appear.  The Five Character Knives began to be produced in the late Spring and Autumn Period.  The Three Character Knives began to circulate during the early to middle Warring States Period.

    All Qi knives are rare.

    The Qi Heritage Museum, which has the world’s largest collection of Qi knife money, is located in Linzi in Shandong Province.

    The museum is situated at the site of the ancient capital of the State of Qi.  The outstanding collection of Qi money and other cultural artefacts was obtained from archaeological excavations.

    The Three Character Knives (san zi dao 三字刀) exist in the greatest number and specimens from the museum’s collection may be seen here.

    There are much fewer surviving specimens of the Four and Five Character knives.

    The Four Character Knife (si zi dao 四字刀) is discussed in “Knife Money from State of Qi Unearthed in Shandong“.

    Specimens from the museum’s collection of Five Character Knives (wu zi dao 五字刀) may be seen here.

    If you look carefully, you will notice that there are actually two versions of the Five Character Knife.

    The Five Character Knives with the inscription ji mo zhi fa hua (即墨之法化), translating as “Ji Mo Legal Money”, were cast in Jimo which was located in what is now Pingdu in Shandong Province.

    The Five Character Knives with the inscription an yang zhi fa hua (安阳之法化), translating as “An Yang Legal Money”, were minted in Anyang which was situated just east of what is now Caoxian County in Shandong Province.

    State of Qi Six Character Knife
    State of Qi Six Character Knife

    The rarest of the Qi knives is the Six Character Knife (liu zi dao 六字刀).

    The beautiful Six Character Knife shown at the left was sold at an auction conducted by the Xiling Yinshe Auction Co. (西泠印社拍卖有限公司) in Hangzhou in May 2014.

    Six Character Knives were cast in the ancient capital of Linzi in Shandong Province.

    The Six Character Knife was actually issued as a “commemorative coin” (开国纪念币).

    In 1046 BC, King Wu of Zhou (周武王) enfeoffed Jiang Ziya (姜子牙), also known as Lü Shang (吕尚) and Duke Tai of Qi (齐太公), who then proceeded to establish Qi as a vassal state.

    The Jiang family continued hereditary rule of Qi for 600 years.

    By the year 404 BC, however, Tian He (田和), who was the head of the Tian clan and was serving under the last ruler of the House of Jiang, had become the de facto ruler of Qi.

    King An of Zhou (周安王) formally recognized Tian He, also known as Duke Tai of Qi (齐太公), as the ruler of Qi in 386 BC.

    With the rise to power by Tian He, the six century rule by the the House of Jiang ended and the House of Tian became the new ruling family of Qi.

    Even though Qi  had existed for many centuries, Tian He decided to issue knife money with an inscription commemorating the new dynastic rule of the Tian family.

    The Six Character Knife thus became China’s first “commemorative coin” marking the establishment of a new ruling family or dynasty.

    The characters are written in an ancient Chinese script which is difficult to decipher.  The inscription is believed to be qi zao bang chang fa huo (齐造邦长法化) which translates as “Qi, establish state long, legal money”.

    However, there is an alternative interpretation of the inscription.

    Some experts believe that the second character in the inscription should not be interpreted as zao (造), meaning “establish”, but rather fu (复) or fan (返)  meaning “return”.

    The State of Yan invaded and occupied most of Qi in 284 BC.  General Tian Dan (田单) of Qi executed a very clever plan and, despite being greatly outnumbered, was able to defeat the Yan army at Jimo.  Tian Dan then freed the other occupied parts of the country which permitted him to bring King Xiang (襄王) of Qi from the small State of Ju (莒), where he had been residing, back to the royal capital of  Linzi (临淄).

    (Please see “Battle of Jimo” Horse Coin for the fascinating story of this battle.)

    Those who accept this interpretation of the inscription believe that the knife was cast by King Xiang to commemorate his triumphant “return” to the capital of Linzi in the year 279 BC.

    Reverse side of the State of Qi Six Character Knife
    Reverse side of the State of Qi Six Character Knife

    The reverse sides of  Six Character Knives frequently have a single character.

    A shi (十), meaning ten, may indicate the knife’s denomination.

    Other characters that have been found on these knives include si (司), gong (工), and ri (日).  These characters may represent the names of newly established mints.

    The knives were cast in stone moulds and other characters on the reverse probably indicate in which mould the knife was cast.

    At the left is an image of the reverse side of this knife.

    Just above the handle is a character believed to be hua (化).  Of the characters found on the reverse side of Six Character Knives, hua (化) and shang (上) seem to be the rarest.

    Six Character Knives are large and thick, finely cast of good quality bronze, and display exquisite calligraphy.  They are typically 18.2 – 18.5 cm in length and 2.8 – 2.9 cm in width.  Their weight is 45.5 – 50.9 grams.

    As mentioned above, the Six Character Knife was the first Chinese form of money to commemorate the founding of a new ruling family or dynasty.

    During the more than 2,000 years that would follow, other rulers would also issue commemorative coins marking the establishment of their new reign.

    For example, in the year 621 Emperor Gaozu (高祖) issued the kai yuan tong bao (开元通宝) coin. Kai yuan tong bao translates as the “Inaugural Currency” and refers to the establishment of the Tang Dynasty (618-907).

    A different Emperor Gaozu (后汉高祖) issued the han yuan tong bao (汉元通宝) coin beginning in 948.  The inscription translates as the “Han First Currency” which marked the beginning of the Later Han Dynasty (948-951).

    Emperor Shizong (世宗) had coins cast with the inscription zhou yuan tong bao (周元通宝) beginning in 955.  The inscription means “Zhou First Currency” signifying the establishment of the Later Zhou Dynasty (951-960).

    Emperor Taizu (太祖) issued coins with the inscription song yuan tong bao (宋元通宝) beginning in 960.  The inscription means “Song First Currency” or “Inauguration of Song” which proclaimed the establishment of the Song Dynasty (960-1279).

    Modern times has seen China issue a large number of commemorative coins.

    In an academic paper entitled  “A History of China’s Ancient Money” (中国古代货币史), Professor Song Jie (宋杰) writes about the purchasing power of a Qi knife.

    During the late Warring States Period, one dou (斗) of rice, equivalent to about 10 litres, could be bought with three ban liang (半两) coins.  According to Professor Song, a Qi knife would have been the equivalent of 7 or 8 ban liang coins.  Therefore, one Qi knife would have been able to buy more than two dou or 23 – 26 litres of rice.

    Six Character Knives are the rarest of the Qi knives and among the rarest of all ancient Chinese coins.  The specimen displayed here sold at an auction in 2014 for the equivalent of US$140,239 (862,500 RMB).

  • Ancient Chinese Coin Exhibit at the Qi Heritage Museum

    The Qi Heritage Museum (齐文化博物院) is located in Linzi (临淄) in China’s coastal province of Shandong (山东省).

    Linzi was the capital city of the ancient State of Qi (1046 BC – 221 BC).

    In celebration of the Qi Culture Festival, there is a new exhibition of ancient Chinese money at the museum.  According to a newspaper article, the exhibit includes unearthed specimens which have never been shown to the public before including hollow handled spade money from the Spring and Autumn Period, perfectly preserved “money trees“, coin moulds, and “Peace under heaven” palace coins.

    Unfortunately, the newspaper article does not include any photographs.  The museum’s website provides some images but no close-ups of the coins.

    The vast majority of  Chinese coin collectors outside of China have no choice but to rely on black and white rubbings in coin catalogs to determine the authenticity of rare coins.  Many collectors put faith into images they see at internet auction sites which are well known to include many fake coins.  Images from coin dealers, coin forums and personal websites can also include coins of questionable authenticity.

    While searching the web, however, I came across a blog article from a Chinese visitor at a previous coin exhibit at the museum.

    The blogger admits that he is not a coin collector but, fortunately, he took some photographs which document part of the extensive collection of ancient Chinese coins at the museum.

    Clicking on the images below will bring up a larger image.  By clicking the image again, an even larger and more detailed image will appear.  Use your scroll bars to move around the display case.

    In this way, you will have the opportunity to clearly see the color of the patina, calligraphy, metal type, size, etc. of many rare Chinese coins.

    The museum has a vast and extensive collection of ancient Chinese money from the late Zhou and Warring States Period, perhaps the best in the world.  This is due to the museum being located in the area where many of the ancient Chinese states were situated.  Most of the collection of ancient coins came directly from archaeological digs in the area.

    Early forms of Chinese money
    Early forms of Chinese money

    This exhibition case includes specimens of what may be very early forms of money  from the Zhou Dynasty (1046 BC – 256 BC).

    No historical sources from this time period mention these objects so there is some question as to whether they are, in fact, ancient Chinese money forms.

    They are usually referred to as  “pseudo money” or “odd shaped money” (异形币).

    Based on their shape, they are “fish money” (yu bi 鱼币), “halberd money” (ji bi 戟币) and “bridge money” (qiao bi 桥币).  Some specimens of  “bridge money” are referred to as “tiger head bridge money” or “dragon head bridge money”.

    For a much larger and more detailed view, please click the image.

    Three Character Knife money from the State of Qi
    Three Character Knife money from the State of Qi

    The museum is located near the capital of the ancient State of Qi (齐国) which existed from 400 BC to 220 BC during the Warring States Period (战国时代 475 BC – 221 BC).

    Qi was one of the states that used a form of money made of bronze and in the shape of a knife (dao bi 刀币).

    The Qi Knife Money evolved from an ancient bronze implement with a ring at the end.  This knife was known as a xue (削).

    An image of an ancient xue may be seen here.

    Although in the shape of a knife, the Qi Knives were never actually used as knives.

    The earliest form of knife money circulated in Qi and later spread to the States of Yan and Zhao.

    As a result of  the many archaeological excavations in the area, the museum has the finest collection of Qi knife (qi dao 齐刀) money in the world.

    Qi Knives have three, four, five or six Chinese characters on their obverse side.  The reverse sides can have one or more characters or symbols.

    Some of the museum’s Three Character Knives (三字刀), bearing the inscription qi fa hua (齐法化) meaning “Qi Legal Money”, are seen in this image.

    For a more detailed view, please click the image.

    The museum also has a collection of Four Character (四字刀), Five Character (五字刀) and Six Character knives (六字刀) from the State of Qi.

    (Please see “Knife Money from State of Qi Unearthed in Shandong” for more detailed information on Four Character knives (四字刀).)

    Five Character Knife money from the State of Qi
    Five Character Knife money from the State of Qi

    The image at the left shows some of the extensive collection of Five Character Knife (五字刀) money.

    Please click the image for an expanded view.

    Five Character Knives have been found with two different inscriptions.

    One inscription is ji mo zhi fa hua (即墨之法化) which translates as “Ji Mo Legal Money”.  Jimo (即墨) was situated in what is now Pingdu in Shandong Province.

    (A very interesting battle took place in Jimo which is the theme of an ancient Chinese horse coin.  Please see “Battle of Jimo” Horse Coin for details.)

    The other inscription is an yang zhi fa hua (安阳之法化) which translates as “An Yang Legal Money”.  Anyang (安阳) was situated east of what is now Caoxian County in Shandong Province.

    Another view of the Five Character Knives
    Another view of the Five Character Knives

    At the left is another view of the Five Character Knife showcase.

    Clicking the image will bring up a larger view.

    Both the An Yang (安阳) and Ji Mo (即墨) varieties of the Five Character Knife can be seen in this image.

    Unfortunately, the blogger did not publish images of the museum’s collection of Six Character Knives (六字刀).  The Six Character Knives were minted in what is now Linzi in Shandong Province.

    (For a discussion of Six Character Knives (六字刀), please see State of Qi Six Character Knife Money.)

    Straight Knife and Pointed Knife money
    Straight Knife and Pointed Knife money

    Pointed  Tip Knives (jian shou dao 尖首刀) from the State of Yan, as well as Straight Knives (zhi dao 直刀) from the State of Zhao (赵国), are displayed in this case.

    Clicking on the image will provide a better view.

    Ming Knife money from the State of Yan
    Ming Knife money from the State of Yan

    The museum has a large collection of Ming Knives (ming dao 明刀) from the State of Yan (燕).

    This type of knife money is known as “Ming Knives” because the character on the obverse side is believed to the the Chinese character ming (明).

    For some reason, the museum decided to display all the Ming Knives with the obverse side (明) showing which is the same for all the knives.

    Showing the reverse sides would have been preferable since the reverse sides display a great variety of inscriptions.

    Please click the image for a closer view.

    Huo Bu coins cast during the reign of Wang Mang
    Huo Bu coins cast during the reign of Wang Mang

    The Chinese blogger provides images from several other exhibition cases.

    The showcase at the left displays huo bu (货布) cast 14 AD – 23 AD during the reign of Wang Mang (王莽) of the Xin Dynasty (新朝).

    Wang Mang carried out four major reforms of the monetary system which included a total of 37 kinds of money.  This created unprecedented chaos and misery.

    To his credit, many of these money forms attained very high artistic merit.

    A close-up of the museum’s collection of huo bu may be seen by clicking the image.

    Another view of the large collection of Huo Bu coins
    Another view of the large collection of Huo Bu coins

    This is another view of the museum’s extensive collection of  huo bu coins.

    Please click the image for a close-up view.

    The huo bu is derived from an even more ancient form of money in the shape of a spade.  For more information concerning  spade money (bubi 布币) and huo bu please see Chinese Spade Charms.  A charm based on the huo bu is discussed in the article Huo Bu Charm.

    "Da Guan Tong Bao" coins cast during the reign of Emperor Hui Zong of the Northern Song Dynasty
    “Da Guan Tong Bao” coins cast during the reign of Emperor Hui Zong of the Northern Song Dynasty

    The Song Dynasty (960-1279) is noted for casting cash coins with beautiful calligraphy.

    One of the most famous coins is the da guan tong bao (大观通宝) cast during the years 1107-1110 of the reign of Emperor Huizong of the Northern Song.

    The calligraphy on the coin was done by Emperor Huizong himself in a style known as “Slender Gold” script (shou ji ti 瘦金体 or tie xian shu  铁线书).

    The museum has a large collection of these da guan tong bao coins as can be seen in the display above.

    An enlarged view may be seen by clicking the image.

    A different view of the Da Guan Tong Bao coins
    A different view of the Da Guan Tong Bao coins

    At the left is a different view of the da guan tong bao coins.

    Please click the image for a better view.

    The museum has a large collection of Chinese sycee (xi si 细丝) which are also referred to as yuan bao (元宝).

    The sycee was a form of silver currency made into various shapes.  They circulated as a form of money as early as the Spring and Autumn and the Warring States Periods.

    Their value was determined by their weight.

    Sycee were usually made by silversmiths instead of official mints.

    Their value was determined by their weight.  Moneyhandlers known as shroffs would determine the purity and weight in taels (liang 两).

    Chinese Boat Sycee
    Chinese Boat Sycee

    The image at the left shows one of the sycee display cases.

    Sycee are often categorized by their shape.  The specimens in this case are known as boat sycee (ma di yin 马蹄银).

    For a very detailed view, please click the image.

    (More specimens of boat sycee with detailed descriptions may be seen at this excellent website.)

    Chinese Round Sycee
    Chinese Round Sycee

    At the left is another display case exhibiting a collection of round sycee (yuan ding 圆锭).

    Please click the image for a close-up view of the display.

    (More information and specimens of round sycee may be seen here.)

    Trade Silver Bars
    Trade Silver Bars

    This case displays a different type of  sycee.

    The sign in the showcase states that these are “trade silver bars” (mao yi yin tiao 贸易银条).

    An enlarged view may be seen by clicking the image.

    Coins cast during the reign of the Xianfeng Emperor of the Qing Dynasty
    Coins cast during the reign of the Xianfeng Emperor of the Qing Dynasty

    The final images show a display of coins cast during the reign (1851-1861) of the Xianfeng Emperor of the Qing Dynasty (1644-1911).

    Because of  huge military expenses needed to suppress the Taiping Rebellion, a great variety of large denomination cash coins were cast during the reign of the Xianfeng Emperor.

    The small cash coins cast by Xianfeng are called tong bao (通宝).  Coins with a value of four to fifty cash are called zhong bao (重宝).  Coins with a value of one hundred to one thousand cash are called yuan bao (元宝).

    The display sign states that the coins in the case are zhong bao.  However, if you click the image and view the coins close up you will see that the case also includes yuan bao coins.

    Another view of the coins cast during the reign of the Xianfeng Emperor
    Another view of the coins cast during the reign of the Xianfeng Emperor

    This is another view of the coins cast during the reign of the Xianfeng Emperor.

    An enlarged view may be seen by clicking the image.

    It is fortunate that the Chinese blogger decided to publish his personal photographs of some of the collection at the Qi Heritage Museum.

    In so doing, he has provided collectors around the world the opportunity to clearly see authentic specimens of some of China’s rarest ancient coins.

  • Nine-Fold Seal Script Charm

    Beginning with the Song Dynasty (960-1279) and extending to the last years of imperial China, government seals were engraved in a very stylized Chinese script known as “nine-fold” seal script.

    This rounded and convoluted script is both ornate and authoritarian but can be difficult to read by the uninitiated.

    A few very rare coins cast during the Song Dynasty had their inscriptions written in nine-fold seal script ( jiu die wen 九叠文).

    Ming Dynasty charm with inscription "happiness, longevity, health and composure" written in nine-fold seal script
    Ming Dynasty charm with inscription “happiness, longevity, health and composure” written in nine-fold seal script

    Shown at the left is a rare Chinese charm dating from the end of the Ming Dynasty (1368-1644) which has its inscription written in nine-fold seal script.

    According to scholars who can read this script, the inscription on the obverse side is fu shou kang ning (福寿康宁) which translates as “happiness, longevity, health and composure”.

    This is a reference to the “Five Blessings” (wufu 五福), which was first mentioned in the ancient Chinese classic known as the “Book of History” (shujing 书经).

    This inscription is often found on old Chinese charms.

    Reverse side of charm has inscription "one hundred happinesses and one hundred longevities" written in nine-fold seal script
    Reverse side of charm has inscription “one hundred happinesses and one hundred longevities” written in nine-fold seal script

    The inscription on the reverse side is also written in nine-fold seal script and, according to scholars, reads as bai fu bai shou (百福百寿).  This is an auspicious wish meaning “one hundred happinesses and one hundred longevities”.

    While the charm shows some wear after having been handled and handed down for some 500 years, the bronze has adopted a beautiful tone and the nine-fold seal script has a wonderful appearance.

    In addition to its wish for happiness, long life and good health, this charm is a work of art.

  • Byzantine Gold Coin Found in Tomb of Emperor Jiemin of Northern Wei

    Chinese archaeologists recently completed their work excavating an ancient tomb located near Luoyang (洛阳), Henan Province (河南省), according to recent reports in the Chinese press.

    Archaeologists believe the tomb belongs to Emperor Jiemin of Northern Wei
    Archaeologists believe the tomb belongs to Emperor Jiemin of Northern Wei

    The archaeologists from the Luoyang Municipal Institute of Cultural Relics and Artifacts (洛阳市文物考古研究院) can be seen working in the tomb in the image at the left.

    The archaeologists believe that the tomb belongs to Emperor Jiemin (节闵帝) of the Northern Wei (北魏).  Emperor Jiemin is sometimes referred to by his personal name Yuan Gong (元恭).

    The Northern Wei was a Mongolian dynasty and Emperor Jiemin ruled during the years 498-532 AD.

    Historical sources reveal that after the capital was moved to Luoyang, six Northern Wei emperors died and were buried in the area.  Documents specifically mention the tombs of Emperor Xiaowen (孝文帝长陵), Emperor Xuanwu (宣武帝景陵), Emperor Xiaoming (孝明帝定陵) and Emperor Xiaozhuang (孝庄帝静陵).

    The historical records are not clear in regard to the tombs of Yuan Ye (Prince of Changguang 长广王元晔) and Emperor Jiemin.

    Because Yuan Ye reigned for only a few months (530-531), the archaeologist do not believe that a tomb of this magnitude could not have been built during his reign.

    Given the scale of the tomb, its location and configuration, as well as the length of time it would have taken to build, the archaeologists have preliminarily concluded that the tomb must therefore belong to Jiemin.

    This would be the fifth Northern Wei emperor tomb discovered in Luoyang.

    The path leading down to the grave is 39.7 meters in length and 2.9 meters in width.  The tomb chamber is 19.2 meters in length and 12 meters in width.

    While a number of artifacts were recovered, many had suffered damage.

    Gold coin found in the tomb of Emperor Jiemin of Northern Wei and minted during the reign of Anastasius I of the Byzantine Empire.
    Gold coin found in the tomb of Emperor Jiemin of Northern Wei and minted during the reign of Anastasius I of the Byzantine Empire.

    However, the most important artifact discovered in the tomb was a gold coin (solidus) in excellent condition.

    The coin, shown at the left, was minted during the reign of Anastasius I (阿纳斯塔修斯一世) who was the Byzantine Emperor during the period 491-518 AD.

    The coin is 2.1-2.2 cm in diameter and is one of only a few Byzantine gold coins ever unearthed by archaeologists in China.

    According to the archaeologists, the discovery of this Byzantine gold coin in a Chinese emperor’s tomb provides further evidence that Luoyang was the eastern terminus of the ancient Silk Road (丝绸之路).

  • Knife Money from State of Qi Unearthed in Shandong

    A farmer working in a field in Shandong Province recently unearthed an ancient knife-shaped form of money from the Warring States period (475 BC – 221 BC), according to a Chinese newspaper article published today.

    A farmer from Shandong displays the knife money he discovered from the ancient State of Qi
    A farmer from Shandong displays the knife money he discovered from the ancient State of Qi

    Mr. Jia Qingguang (贾清广) was sifting sand at his farm in Liaocheng (聊城市) in China’s eastern province of Shandong when he discovered this knife-shaped money known in Chinese as dao bi (刀币).

    The image at the left shows Mr. Jia holding the knife money.

    The newspaper report provides little information regarding the the knife other than it is believed to have been cast during the Warring States period.  The knife is 15 cm in length and has Chinese characters on one side only.

    The newspaper article does not specify the type of knife money but “hopes that the relevant departments will help identify it”.

    Inscription on the State of Qi knife translates as "Jimo Legal Money"
    Inscription on the State of Qi knife translates as “Jimo Legal Money”

    However, if you look carefully at the close-up image of the knife shown here, you can see that it is a “four character” (四字)  large knife from the State of Qi (齐国).  The inscription is ji mo fa hua (即墨法化) which translates as “Jimo legal money”.

    The State of Qi existed from 1046 BC to 221 BC and occupied the area of what is now Shandong Province where the knife was discovered.

    Jimo (即墨) was a city in the State of Qi and was the site of a very famous battle in 283 BC which I describe in detail in an article entitled “Battle of Jimo Horse Coin”.

    It is believed that Qi produced knife money during approximately 400-220 BC.  Besides “four character” (四字刀) knives, Qi also issued knife money with three (三字刀), five (五字刀) and six characters (六字刀).

    (For more about the Four Character knives (四字刀) and Five Character knives (五字刀), please see Ancient Chinese Coin Exhibit at the Qi Heritage Museum.)

    (Six Character knives (六字刀) are discussed in detail at State of Qi Six Character Knife Money.)

    Some knives have Chinese characters on the reverse side and some do not, as is the case with this specimen.

    Specimens of this type of knife money are typically 15-16 cm in length and weigh 23-45 grams.

    The State of Qi was the last state to be conquered by the armies of Qin Shi Huang (秦始皇) who then unified China in 221 BC.

    All State of Qi large knives are considered to be rare.

  • Stringing Cash Coins

    Arthur Henderson Smith was a famous American missionary who went to China in 1872.  He worked in Shandong Province until the Boxer Rebellion forced him to flee and take refuge at the Legation Quarter in Peking in 1900.

    Smith wrote several books about China including “Village Life in China” which was published in 1899.

    Stringing Cash Coins
    Stringing Cash Coins

    The book contains a rare photograph, shown at the left, of men in the process of putting cash coins on strings.

    Counting the coins and placing them on strings was a laborious task as described below:

    “The sales which have been made during the day are for small sums only, and as all the cash has to be counted and strung on hemp cords so as to make the full string of 1,000 cash (or 500 in some parts of the country), this counting and stringing of the money takes a great deal of time, and is very tiresome work when done by the quantity…”

    Money-changers charged for this service according to “Guttag’s Foreign Currency and Exchange Guide” published in 1921:

    “Money-changers charge for the trouble of stringing the coins and also for the cost of the string by deducting a certain number of Cash from each roll.  This rate of discount is fixed locally so that the Tiao (diao 吊), which normally consists of 1,000 Cash, may contain in one district 965 and in another 980 actual coins.”

    Even in stringing cash coins, the Chinese did not want to miss an opportunity to make an additional profit as Smith describes below:

    “In the case of firms having any considerable business, after the day’s work is all over, the clerks are liable to be required to spend the evening in untying all the numerous strings of cash that have come in, with a view to the discovery of any rare coins that might be sold at a special price.  All is fish that comes to a Chinese net, and sooner or later there is very little that does not find its way there to the profit of its owner.”

    While it is common for coin collectors to closely examine each coin in a string of cash looking for rare specimens, it is surprising to learn that merchants during the Qing Dynasty routinely did so as well.

  • Cycling Across Imperial China

    The two American cyclists reach north China in 1892. Few Chinese had ever seen a Westerner, much less a bicycle.
    The two American cyclists reach north China in 1892. Few Chinese had ever seen a Westerner, much less a bicycle.

    Two Americans decided to take a trip.

    The year was 1890 and Thomas G. Allen Jr. and William L. Sachtleben had just graduated from my alma mater, Washington University in St. Louis.

    The “ordinary” (“penny-farthing“) bicycle with the very large front wheel and very small back wheel was just beginning to be replaced by the new “safety” bicycle which had two small wheels with the rear wheel driven by chain and sprocket.

    They decided to ride around-the-world on this new type of bicycle.  They also purchased the newly introduced Kodak film camera to record their journey.

    Their adventure was documented in a book they authored entitled “Across Asia on a Bicycle” and published in 1894.

    During the three year journey, they experienced tremendous adventures.

    Their travel across China began in 1892 in Kuldja which was the Russian name for the city of Yining in the far western region of Xinjiang.

    Preparations for the grueling crossing to Peking were meticulous:

    “Our work of preparation was principally a process of elimination.  We now had to prepare for a forced march in case of necessity.

    “Handle-bars and seat-posts were shortened to save weight…

    “The cutting off of buttons and extra parts of our clothing, as well as shaving of our heads and faces, was also included…”

    But a major challenge was how to carry money as these excerpts reveal:

    “And now the money problem was the most perplexing of all.

    “This alone,” said the Russian consul, “if nothing else, will defeat your plans.

    “We thought we had sufficient money to carry us, or, rather, as much as we could carry…for the weight of the Chinese money necessary for a journey of over three thousand miles was, as the Russian consul thought, one of the greatest of our almost insurmountable obstacles.

    William L. Sachtleben (right) with a Russian friend “loaded with enough Chinese ‘cash’ to pay for a meal at a Kuldja restaurant”.

    “In the interior of China there is no coin except the chen or sapeks (referring to qian 钱 or “cash coins”), an alloy of copper and tin, in the form of a disk, having a hole in the center by which the coins may be strung together.

    “The very recently coined liang, or tael (referring to Chinese minted ‘silver dollar’ coins), the Mexican piaster (referring to the Mexican silver coin) specially minted for the Chinese market, and the other foreign coins, have not yet penetrated from the coast.  For six hundred miles over the border, however, we found … the Russian money… serviceable among the Tatar merchants, while the tenga (a silver coin of Russian Turkestan), or Kashgar silver-piece, was preferred by the natives even beyond the Gobi, being much handier than the larger or smaller bits of silver broken from the yamba bricks.

    “All, however, would have to be weighed in the tinza, or small Chinese scales we carried with us, and on which were marked the fün, tchan, and liang of the monetary scale.

    “But the value of these terms is reckoned in chen (Chinese cash coins), and changes with almost every district.  This necessity for vigilance, together with the frequency of bad silver and loaded yambas, and the propensity of the Chinese to “knock down” on even the smallest purchase, tends to convert a traveler in China into a veritable Shylock.

    “There being no banks or exchanges in the interior, we were obliged to purchase at Kuldja all the silver we would need for the entire journey of over three thousand miles.

    “How much would it take?” was the question… That our calculations were close is proved by the fact that we reached Peking with silver in our pockets to the value of half a dollar.

    “Our money now constituted the principal part of our luggage…

    “Most of the silver was chopped up into small bits, and placed in the hollow tubing of the machines to conceal it from Chinese inquisitiveness, if not something worse.

    “We are glad to say, however, that no attempt at robbery was ever discovered, although efforts at extortion were frequent, and sometimes…of a serious nature.”

    The journey took three years and ended in New York in 1893.  They became instant celebrities just as bicycling was beginning to become very popular.

    Their extraordinary adventure, which I encourage you to read in its entirety, was described by one journalist as “the greatest journey since Marco Polo”.

  • World’s Largest Copper Coin Sculpture

    In the year 621 AD, Emperor Gaozu of the newly established Tang Dynasty introduced a new coin with the inscription kai yuan tong bao (開元通寶) which set a standard that lasted for some 1200 years.

    Although the last kai yuan tong bao coin was cast many centuries ago, a new kai yuan tong bao coin recently appeared in Guiyang Prefecture (桂阳县) which is part of the city of Chenzhou (郴州) located in China’s southern province of Hunan (湖南).

    The ancient coin measured about 24 mm in diameter.  The new “coin” is actually a sculpture and is considerably larger with a diameter of 24 meters (78.7 feet).

    This is the largest copper coin sculpture in the world according to Chinese news reports published August 30, 2013.

    World's largest copper coin sculpture at the Baoshan National Mining Park in Guiyang.
    World’s largest copper coin sculpture at the Baoshan National Mining Park in Guiyang.

    At the left is the image of the new copper sculpture of a kai yuan tong bao coin being put on display at the Baoshan National Mining Park (宝山国家矿山工园).

    The Baoshan National Mining Park is a theme park commemorating the long history of mining in the area which dates back to the Han Dynasty (206 BC – 220 AD).

    The new coin sculpture will be open to the public beginning in the middle of September.

    The coin sculpture has an internal steel structure with copper sheets on the exterior.  It has a thickness of 3.8 meters (12.5 feet).

    A construction worker is dwarfed by the huge Chinese characters on the coin sculpture.
    A construction worker is dwarfed by the huge Chinese characters on the coin sculpture.

    This image gives a better indication of the large scale of the sculpture.

    Workers are dwarfed by the huge size of the Chinese characters forming the coin’s inscription.

    The calligraphy on the original coins was done by Ouyang Xun (欧阳询) who was one of the most famous calligraphers of the time.

    The style is a unique combination of  “seal” (zhuan 篆), “official” (li 隶) and “regular” (kai 楷) scripts evoking a solemn and dignified appearance which had a profound impact on the calligraphy used on the generations of cash coins that followed.

    The coins cast during the earlier years of the Tang Dynasty had no Chinese characters on the reverse side although some did exhibit “moons” (月) and “stars” (星).

    This changed, however, during the reign (840-846) of Emperor Wu Zong who was devotee of Daoism.  During his “Huichang” (会昌 841-846) era, he ordered the confiscation of copper statues, bells, gongs, etc. from Buddhist temples and used the copper to cast kai yuan tong bao coins.

    These “Huichang” period coins are distinguished from the earlier ones by having a Chinese character on the reverse side indicating where the coin was minted.

    There were a total of 22 mints operating at the time.

    One of the 22 mints was in Guiyang near where the coin sculpture is located.

    Coins cast at the Guiyang mint had the Chinese character gui (桂) on the reverse side.

    The Chinese character "gui" represents the coin mint in Guiyang during the Tang Dynasty.
    The Chinese character “gui” represents the coin mint in Guiyang during the Tang Dynasty.

    As can be seen in the image at the left, the reverse side of the coin sculpture also has the Chinese character gui (桂).

    Emperor Wu Zong reigned for only 6 years.

    The “huichang” era kai yuan tong bao coins did not begin to be produced at the Guiyang mint until the 5th year (845) of this reign period.  Coins with the “gui” (桂) mint mark were only cast for a little more than one year.

    The news reports state that because not many of these coins were cast, they are now fairly difficult for coin collectors to obtain.

    As already mentioned, this sculpture of a copper coin is believed to be the largest in the world.  The Guiyang Tourism Department has arranged for representatives from Guinness World Records to visit the site this month to verify the fact.

    (A video of this large coin sculpture may be seen here.)